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Archive for March, 2010

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moveable in seattle april 2March 28th, 2010


I’m building a piano-tickling machine for Zachary James Watkins’ piece “Moveable,” which pianist Tiffany Lin will premiere in Seattle on April 2. More info within.

Moveable, long commutes between loved ones, music for motors and resonant strings

Friday April 2nd, 2010 8PM
Performance by pianist Tiffany Lin of a new evening length composition scored for retuned piano and a new mechanical extension called the Piano Monster built by NYC artist Ranjit Bhatnagar that uses 16 MIDI triggered voltage controlled motors with attached objects that resonate piano strings.

Wayward Music Series

The Chapel Performance Space at the Good Shepherd Center

4649 Sunnyside Avenue N., 4th Floor, Seattle, Washington

Tickets: Suggested Scale $5-$15

Tickets will be available at the door on the evening of the performance.

Moveable, long commutes between loved ones, music for motors and resonant strings is the elusive yet evocative title for the new composition by bay area composer Zachary James Watkins. This new evening length work is scored for retuned piano and a new mechanical extension called the Piano Monster built by NYC artist Ranjit Bhatnagar that uses 16 MIDI triggered voltage controlled motors with attached objects that resonate piano strings. The April 2nd premiere performance by pianist Tiffany Lin is presented by Nonsequitur as part of the Wayward Music Series at Seattle’s Chapel Performance Space. The title can be read many ways. Literal interpretations evoke the daily reality of so many modern day workers who must travel long distances to reach the work place or the distances traveled when in love. This title also touches upon the collaborative process between three artists who reside on two coasts and separated by thousands of miles. Trust, vulnerability and the creation of rich new works drive collaborations along distances. In our every day lives, the harmonic series is the fundamental building block of all sounds in constant collision transformed creating language, noise, and the plethora of instrumental timbres, which shape our aural, cultural and sensual experience. Moveable, long commutes between loved ones, music for motors and resonant strings celebrates diverse sounds combining electrical current hum, pure intonation, equal temperament and percussive noises into a vibrant sonic tapestry creating new imaginative narratives.

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closing doors at nycemf march 25March 28th, 2010

I presented my piece “Closing Doors” for robot toy piano at the NYC Electro-Acoustic Music Festival last week. It sounded something like this:

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Previously with robot toy piano…

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Noisy noises videoMarch 17th, 2010

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