
If the wind really picks up, the flowers will spin.
And here’s a video from when I was testing it on my deck.
]]>Proposal for Artbots 2008
Simple automatic instruments are constructed from local materials and objects on site. The system learns the sounds it can make by trying out its instruments, and then uses its range of sounds to try to reproduce the rhythmic and melodic qualities of sounds such as the voices of visitors. It then loops and alters these imitative sequences into improvised compositions. (That last part’s not done yet, so you won’t see it in the video.)
In this example, the source audio is a bit of the soundtrack from the movie Citizen Kane, and the noisemakers are a set of found object percussion machines and an electromagnetically fretted electric guitar.
]]>
FIRST OFF, this Friday from 2-5pm at The Tank in Tribeca:
I’m doing an instrument-building workshop and jam session with the electronic noise band The Loud Objects. They’ll teach you to program cheap industrial microcontrollers into noisemakers of wonder; I’ll be showing how to wind your own electric guitar pickups and make simple but surprisingly great sounding electric stringed instruments. You’ll leave with one or more new instrument made by your own hands! (There’s an optional donation for supply costs.)
The Tank @ Collective: Unconscious is located at 279 Church Street between Franklin and White. To get to The Tank by subway take A, C, E, J, M, Z, N, Q, R, W, Z, or 6 to Canal Street, or 1 to Franklin Street.
LATER THAT SAME NIGHT: opening party 7pm at Flux Factory:
“Soon, very soon, the Flux Factory space at 38-38 43rd Street will be demolished. In anticipation of this event, we are turning the entirety of Flux Factory into a giant installation of itself. For the past six years, Flux Factory has developed its gallery and aesthetics laboratory at our space in Long Island City. We have had scores of shows and many hundreds of artists have graced these halls. Now it must all be destroyed. Our entire block will be razed by the pitiless bulldozers of the MTA. Everything Must Go.”
I’ll be making a sound sculpture for the show based on the recorded voices of flux factory artists, residents, and friends. I can’t give any details yet because I’m going to improvise the whole thing tomorrow night. Will it work!? Only one way for you to find
out! If that’s not enough, there will also be live music and booze.
It’s gonna be a big crazy show, check it out. If you can’t make it to the opening, the show will be open weekends (and other times - check the web site) until the CLOSING PARTY on Saturday, April 26.
Flux Factory is in Long Island city near the N, R, V, G, and 7 trains. …directions
AND THEN ON SATURDAY IN THE MIDWEST…
Opening party 6-9 pm at the Museum of New Art, Pontiac, MI. The show is called Artistic Mediums: Revelations of the Invisible:
“Thomas Edison, the son of Spiritualists, proposed a telephone to call the dead. Contemporary post humanists seek to convert their souls into bits, or at least to prove that the meat is simply a container. Paranormal researchers, in particular those interested in EVP (Electronic Voice Phenomena), argue that the electromagnetic spectrum is oft manipulated by the dead to communicate with the living - that intelligences live invisibly in the ether is a foregone conclusion.”
My piece for the show is a sound sculpture made of various junk and collaged audio, called “Sonnets from the Portugese.” Unfortunately I won’t make it to the opening, but if you happen to be near Pontiac, here’s directions to the gallery. The show will be up
until April 26th.
I’ll put documentation of all three of these noisy things up on this site after the weekend.
]]>
Photo by Andrew Sempere - more party photos from Andrew - more from me
electric jam Download audio file (01-electric%20jam.mp3)
“set up a groove” Download audio file (02-set%20up%20a%20groove.mp3)
coconut & foot Download audio file (03-coconut%20and%20foot.mp3)
your branca is leaking Download audio file (04-your%20branca%20is%20leaking.mp3)
konono no. 0 Download audio file (05-konono%20no.%200.mp3)
bang on a can Download audio file (06-bang%20on%20a%20can.mp3)

something new

something old
If you’re in NYC and you’d like to meet this or other instruments-of-the-day, check this out.
I’m going to continue with the instrument building, one a week for as long as I can stand it. If you wanna keep up with the noise, bookmark or subscribe to my homepage. Thanks for putting up with the cacophony!
]]>
Gonna have a party on Saturday March 1st to celebrate surviving the building of 29 instruments in 29 days! It’ll be 3-6pm (or so) in Long Island City, Queens, NYC - contact me for more info. There’ll be beer and snax and making noises. Bring your own noisemakers and/or ideas for noisemakers.
I’m going to continue with the instrument-building, making one every week forever. Or until I get tired of it. They’ll all be posted here.
]]>The bridge is cut from poplar, the strings are nylon guitar strings, the bass bar and sound post are garbage wood, and the neck/fingerboard is, of course, a rotten stick. This fiddle actually leaves mildew on your left hand when you play it.
The bow I made yesterday literally disintegrated overnight - the screws unscrewed themselves and the hairs fell out! So I played the fiddle with a rosin-coated popsicle stick. Bear in mind that (1) this is a horrible, horrible fiddle and (2) i have no idea how to play a fiddle, before you listen to the sound sample.
Download audio file (boxfiddle.mp3)
(I got to spend some time combing horse hair. Instrument making has more in common with My Little Pony than I knew!)
]]>Construction details: I cut the stick in half the long way and chiseled out a rectangular trench in one half. I clamped the two halves together while I made the mouthpiece (which is coated with lemon oil and olive oil to protect it from spit) and tested the first reed. Then I glued the halves together and drilled the finger holes, and made a bunch more reeds.
]]>My instrument with no bow at all is a pretty poor imitation of a trumpet marine, but it does sound a bit salty. In the sound sample, you can hear as I fiddle with the guidon to get a buzz that I like. On the last four notes in the sample, I supressed the plucking sound in software to simulate what it might sound like when bowed. (And I cranked the reverb way up.) It does kind of sound like a trumpet!
Download audio file (trumpetsaline.mp3)
What was I saying about making stringed instruments too big for myself? This one is over seven feet tall.
]]>It sounds kind of like this.
Download audio file (whammystick.mp3)
thing a day 22: tension guitar from ranjit on Vimeo.
Still, you may not have seen and heard the last of Syntho ‘77!
]]>It’s kind of surprising how much the little sound cone amplifies the sound.
]]>I keep making instruments that are too long for my short arms to play comfortably. You’d think I would’ve learned from the rotten stick guitar.
The frets are bamboo skewers - I tuned them by ear so the tuning is kind of shaky. I might add more frets later. Note how the bamboo bridge rests on a point on the membrane (architectural vellum)- this helps to transfer the vibrations of the string. The pick is made of two layers of vellum glued together.
The coconut banjo sounds like this.
Download audio file (coconutbanjo.mp3)
But the real reason I carved it is to use for hammering sheet metal into gong or cymbal shapes. Unfortunately, I don’t seem to have any sheet metal.
]]>The keyboard is copper tape cut to shape. It’s tuned (approximately) to the twelve tone Just scale based on 2’s, 3’s, and 5’s. When the little red plug is plugged into the "No breath" jack, the thing plays at full volume without the breath controller.
]]>I think I should tie it to a frame in three directions so it doesn’t swing around so much.
]]>Inspired by the amazing kalimbas of RP Collier - listen to his music at soundclick and see the beautiful instruments on flickr.
]]>I’m proud of myself for drilling a 1/8" hole in a 1/4" dowel without breaking it!
]]>Some highlights so far: matchbox synthesizer, diet cocarina, rotten stick electric guitar. You can hear sound samples from all of them at their respective pages.
|
|
]]>
With my egg and the earlier turnip whistle, I tried poking some holes in the body to make an ocarina, but I found that it just stops whistling unless I cover the holes. On the other hand, the soda can ocarina worked just fine, relatively speaking. Are there any ocarina experts out there who can shed some light on this?
]]>It sounds like this. (Sorry, I’ve only had a few minutes to start learning how to play it)
Download audio file (stickguitar.mp3)
Today: An ocarina made from a coke can, straw, and poster gum. It sounds like this.
Download audio file (cokarina.mp3)
thing-a-day: matchbox synthesizer from ranjit on Vimeo.
On the inside there’s a piece cut from another walnut shell which directs air from the hole at the end up to the fipple.
It sounds like this:
walnutwhistle.mp3
Download audio file (walnutwhistle.mp3)
It’ll be 4pm, Dec. 16th at The Openhouse at 201 Mulberry Street in SoHo, Manhattan - just south of Spring Street.
Here’s a preview of what some of the students are working on.
Mister Resistor Preview 1 from ranjit on Vimeo.
]]>Create Digital Music, Etsy Labs and Make Magazine present
A Very Special Handmade Music Night
featuring Mister Resistor live in concert
Sunday December 16th, 2-5pm
at The Openhouse, 201 Mulberry St near Spring St in SoHo
$FREE
more info at misterresistor.com or createdigitalmusic.comBring your hand-carved ocarinas, homebrew synthesizers, circuit bent toys and tin can banjos to show and tell and jam.
At 4pm, enjoy the handmade sonic stylings of Mister Resistor- these Parsons students have spent the semester building and playing musical instruments made from cassette tape, microchips, oatmeal boxes, and much more.
To help newcomers learn how to make their own creations, Create Digital Music’s Peter Kirn will lead off with a workshop on musical electronics, with free kits from PAiA Corporation that uses pencil markings to produce circuits. (No soldering required, so total beginners can give it a try. Kits for the project are free, on a first-come, first-served basis.) Throughout the afternoon, New York’s top musical makers will meet and display their creations.

Thanks, boingers!
]]>“There’s already a lot of crap music in the world and it hasn’t killed us.”
More at wired.com, 9/27/07.
]]>
Lev plays Patsy from ranjit on Vimeo.
Lev and Thumpbot play “Crazy” from ranjit on Vimeo.
(also on youtube)
They don’t play so well, but what do you expect from robots?
]]>
]]>Here’s a video of the wind-up noisemaker I made for the second handmade music night:
Six keys, four springs, one knob from ranjit on Vimeo.
]]>]]>
There’s some photos of Misericordiam al fresco over at flickr.
]]>There’s no attempt to create a humanoid with Misericordiam, by Ranjit Bhatnagar, an accordion hung from a rope. It compresses and, thanks to gravity, decompresses with a convulsive abandon. I don’t know if it had any other purpose than humor, but I didn’t feel like I needed more.
– roberta fallon and libby rosof’s artblog: The human side of artbots
]]>
and perhaps a bit of
and a large helping of
.
]]>Bent Festival New York City - April 26-28 2007
Presented by The Tank
All workshops and concerts will be held at
Eyebeam Atelier
540 W. 21st Street, (between 10th and 11th Avenues), NY, NY