project documentation

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lev’s first songJuly 10th, 2003


lev’s first song on Vimeo

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mermaid box at 2003 mermaid showJune 8th, 2003

The wind-up mermaid box was exhibited at the Mermaid Show at the Williamsburg Art and Historical Center, Brooklyn. Here’s some photos from the show.

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mermaid box under constructionMay 26th, 2003

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photos from artbots 2002May 25th, 2002

Here are some photos of visitors playing with Sketching Device #1 at Artbots 2002.

For many more photos from Artbots, visit the old Sketching Device homepage or artbots.org.

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some drawings made by the sketching deviceMay 25th, 2002

These are some of the drawings made by visitors to Artbots in collaboration with Sketching Device #1.

For more, visit the old Sketching Device homepage
Note: you can purchase any of these drawings for $45 each, or if you really hate them, I will destroy them for you at $75 each.

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sketching device and artbots in NY TimesMay 25th, 2002

Read about the first Artbots exhibit and Sketching Device #1 in the New York Times!

Most entries fell into the category that Mr. Galanter called ”punk-rock robotics,” emphasizing cheap components and a playful do-it-yourself approach.

Ranjit Bhatnagar said he had torn apart his stereo speakers to build Sketching Device No. 1, which used patterns of vibration to move pens across a sheet of paper. David Webber’s AO2000, which visitors picked as their favorite, made chaotic music with a blender, an adding machine, two laptop computers, an old television and some coffee cans, among other things. Symet Studio, by Stefan Prosky, a family of simple solar-powered robots that left trails of dots as they hopped around, was voted best of show by the robot-builders.

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sketching device test videosMay 8th, 2002

Here’s a few early videos of the sketching device in action.

sketching device #1 on Vimeo


sketching device #1 and toy dogs on Vimeo

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innovative instruments reviewed in philadelphia weeklyJuly 12th, 1995

Musical Objects/Sculptural Sound: Strange music fills Nexus this month.  It flows irregularly from the cone of frozen pebbles dripping into Mineko Grimmer's North American Woods-Ash.  It rattles from the forest of more than 20 whimsically floral sculptures Dan Senn has scattered on the floor.  It rings from the pots and pans deftly played by Wm. Houck in his Wearever Blues AV Black Box.  Most of the sculpture in the Innovative Instruments exhibit can be played by gallery visitors, though some pieces are presented with recordings which give an idea of how they might sound.  It's amusing to compare Robert Roesch's severely angular Moonharp to Cynthia Norton's loopy Bread Badmitton Blues Rackets.  In a video recording her performance on one of her sculpture/instruments, Norton (in the persona of Ninne Naive) is refreshingly unpretentious--as is the best work in this small show.  Thru July 28 at Nexus, 137 N. Second St.  --Gerald Brown
Philadelphia Weekly

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