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reviews and press

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lev the thereminbot sings for boingboing tvOctober 3rd, 2007

Lev’s featured in the premiere episode of BoingBoing TV today.

lev on bbtv

Thanks, boingers!

more about lev

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wired.com: MIDI Ironing Boards, Theremin Crutches Squeal at Handmade Music EventSeptember 29th, 2007

I’m quoted in a wired.com article about the Handmade Music events and homemade instruments.

“There’s already a lot of crap music in the world and it hasn’t killed us.”

More at wired.com, 9/27/07.

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ranjit in time out nySeptember 20th, 2007

Time Out NY magazine has a small feature about handmade music nights at Etsy Labs, and it includes a little bit about me and a photo of one of my handmade music gadgets.

Time Out NY

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artbots philly reviewedMay 28th, 2007

There’s no attempt to create a humanoid with Misericordiam, by Ranjit Bhatnagar, an accordion hung from a rope. It compresses and, thanks to gravity, decompresses with a convulsive abandon. I don’t know if it had any other purpose than humor, but I didn’t feel like I needed more.

– roberta fallon and libby rosof’s artblog: The human side of artbots

more about misericordiam

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r.t.t.m.t.t.t.i.c.i.t.m.o.a. reviewed in new york pressDecember 14th, 2006

opening night, rttmttticitmoa at fluxbox

MONUMENTAL MOMENT
A playful approach to Tatlin’s Monument

When I heard the title of Flux Factory’s latest show, Response to Tatlin’s Monument to the Third International Conceived in the Mood of Ambivalence, or R.T.T.M.T.T.T.I.C.I.T.M.O.A. for short, I thought I was going off to see a ridiculous, pretentious show full of highfalutin communist propaganda.

I’m happy to report that I was completely wrong. […]

– Aileen Torres, New York Press

My photo (above) from opening night was used to illustrate the article.

nypress review 14 dec 2006

more about published photos

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fluxbox in sculpture magazineDecember 12th, 2006

[…] The exterior appearance was plain– a sleek, seamless black wall that nearly spanned the entire lofty space. A silver crank handle and a small, clear, rectangular box encasing a pickle were the only ornaments. Clamped by wires on both sides, the pickle began to spark and light up as the handle was turned. Moments later, a halt­ing melody churned out from the other side of the wall.

A journey through the maze-like interior of the melody’s physical architecture began when you infil­trated the entrances to the box, tucked away on either side. The artists created a series of small musical chambers connected by sharp turns, stairs, and an orange slide, producing curious tex­tures of sound that played in sync, united in a single song. An old accordion hummed in a blue velvet room designed by Ranjit Bhatnagar. Draped with delicate strings of tiny white lights, it hung by a rope and pulley from the ceiling like a chan­delier, playing itself with each rota­tion. […]

– pp74-75, Sculpture 12/2006, International Sculpture Center


fluxbox review in Sculpture

more about fluxbox

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artbots & misericordiam on wired.comNovember 14th, 2006

The sound of an accordion can be joyful or annoying, and artist Ranjit Bhatnagar has managed to add a dose of creepiness with his creation “Misericordiam.” Here, an accordion dangles in a black curtain-flanked booth, playing sinister sounds to no one in particular. White LEDs give it a festive air, but its intermittent noises and shakes make it seem like a prop escaped from a haunted house.

– Rachel Metz, Wired Blogs

more about misericordiam

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brooklyn in color on flickr blogOctober 14th, 2006

The Brooklyn in Color exhibit made an appearance in the Flickr Blog– appropriately, since the flickr photography site was instrumental in making the exhibit happen!

more about Brooklyn in Color at Atlantic Av Station

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brooklyn in color in gothamistSeptember 23rd, 2006

…a much-needed splash of color for commuters

more about Brooklyn in Color at Atlantic Av Station

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fluxbox reviewed in RailJune 12th, 2006

There’s a nice review of the Fluxbox in the June issue of the Brooklyn Rail.

The FluxBox, which was on view at the Flux Factory in Queens from March 25 to April 29, triggered a greater feeling of suspense than your everyday automata. Not because it was a room-sized version of something that usually fits in your hand, but because the only visible part of the box from the entrance was the crank, and the crank was wired to a kosher pickle. more…
- Bethany Ryker

more about fluxbox

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