The Glass Bees and I played a bunch of my homemade instruments last night at Barbès in Brooklyn. (The show was made possible by Bethany Ryker, who brings interesting stuff to Barbès every Wednesday and to wfmu every Sunday.)
Here’s some excerpts from the show– thanks to bee Chris for editing and naming the songs!
You may be able to catch an interview and some more from the show on NPR’s Weekend All Things Considered this Saturday or Sunday. [Update: the interview aired on March 7th and can be read & heard on NPR's site.]
photo: me and two bees with our granny-carts full of junkstruments!
Years ago I was in a gallery show with Mineko Grimmer, who makes sound sculptures of pebbles frozen in ice. As the ice melts, the pebbles drop into a pool or a wooden lattice and make irregular sounds.
I made my own version entirely out of things from my junk drawer: marbles, squashed pennies, old keys and dog tags, and some acorns I was saving in a tiny jar. What does it sound like? I won’t find out until the weather warms up.
This one didn’t really work out. It was supposed to be a sequel to last year’s automatic tension guitar, but it doesn’t work or sound nearly as good. I’m experimenting with cheap substitutes for the little clapper solenoids I used last year, which are now really hard to find, but so far the results are bad.
And it’s not even automatic! I didn’t get around to rigging up a computer interface, so I’m playing it with the funny little wooden keyboard you can see at the upper right. It sounds like this.
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Very very tiny. I clamped it in steel pliers so I could use a magnetic pickup to record the sound it made. Slowed down by a factor of eight (down three octaves), it sounds like this.
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A drum, some antique wind-up motors (from the Aladdin Toy Motors company of Brooklyn!), and leftover wood from the laser whistles combine to give you a simulation of the sound of a peaceful sunday morning in New York City. It sounds like this. (Video here)
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Good old-fashioned circuit-bending with a baby-rattling device I found in the trash and slightly modified. Magnetic pickup and contact microphone pick up sound in two different ways.
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Fruit crate, found twigs, hardware, piezoelectric disc, sewing needle, hot glue, and "Walk This Way" by RUN-D.M.C.
I don’t have a record player, so it was time to make one out of whatever I had lying around. It sounds like this.
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A strong magnet distorts the sound of a music box by warping the tines. It’s recorded through a hand-wound magnetic pickup, and it sounds like this. (There’s no processing added to the sound except for noise reduction.)
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1/8" steel rod, found wood, hand-wound magnetic pickup, played through a cheap battery-powered amplifier for a bit of that KONONO N°1 sound. Inspired by the chimes made by Nathan Davis for Phyllis Chen (but not made with nearly as much skill or artistry). It’s played with drumsticks.
The steel chimes sound like this (warning: loud! but for best results you should turn it up even louder.)
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Another way to use up waste bamboo that was too split up for a wind instrument. Though a real shishi odoshi (deer scarer) would use good bamboo and make a much nicer sound. The sticks are gathered from the park; the pivot is steel rod through an aluminum tube (leftover from the slide guitar).
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This length of bamboo was going to be a clarinet until it split all down its length, so I took some leftover bits of wire and aluminum tubing and a guitar string from the servo guitar and made this. The shape makes it almost impossible to hold and play at the same time, but eventually it sounds like this.
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The open tube shape gives a tiny bit of acoustic amplification out the ends, but it’s still not very loud.
A particularly ugly instrument today – a prototype, made mostly of hotglue, for an automatic slide guitar. It’s playing a test pattern which sounds like this.
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